Stormcrow face the giant eng

R  E  V  I  E  W
    Stormcrow
    Face the Giant

    Year: 2019
    Genre: Alpine Black Metal
    Label: Vacula Production
    Country: Italy
    Line Up:
    Vastis - vocals
    Astaroth - guitars
    Tohrus - guitars
    Zedar - bass
    Goraath - drums

    Cover artwork by Goraath

    [italian version here]

    "Face the Giant" is the second full length of Stormcrow, and despite it was recorded in 2019, the sensation is that we're listening to a release coming from the darkness of the 90's. After a short atmospheric intro, it is time to get into the inner core of the album; an evocative Black-Death marked by obscure and thick sounds yet well distinct, which by one hand they remind to underground middle 90's releases, but at the same time they don't refuse to masterly use a more contemporary quality. Vocals are not centered on an aggressive style, but on the creation of acid, swollen but rhythmic background, whose narration well intertwines with the whole composition, and it shows the highest Black Metal influences of the band. Guitar riffing is well structured and accompanied by a bass guitar work which contributes to recreate those raw and atmospherical melodies, much beloved by middle 90's albums. We can also notice that the guitar's phrasings often blink the eye to the most aggressive Swedish melodic Death Metal, catching here and there the majesty of early At the Gates and the compositional variety of early Dark Tranquillity era ( Skydancer, to set an example ).The drumming is varied, well-composed. We don't find extremely fast blast beats, but a definite and solid composition without exceeding meaningless technicalities : snare drum is powerful and not invasive, cymbals are refined but they would have deserved much more attention during the mixing process, whose lack goes in contrast with a too much definite kick drum. In general, " Face the Giant " is an excellent work, able to bring back in time the lovers of the extreme side of music which doesn't avoid primordial atmospheres but filled with north European folk poetry. Well played and composed, harsh yet existentially epic, whose cover artwork and an accurate production sum up all the work and the concept.  

    Eric D.R.